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Time and light

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Anthony Anderton

An interview with the photographer.

Arthur as Alyosha?

Patrick McCaughey explores a striking Boyd self portrait.

Painting them gently

Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.

The alchemist’s profile

John Zubrzycki meets Australian paint pioneer Jim Cobb.

Snap decisions

NPPP judge Robert Cook provides irreverent insight into this year’s fare, and having to be a bit judgemental.

Hyperversity

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

Adam’s Prize Apples

Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.

Illuminating history

Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.

Nicholas Harding

Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality. 

Portrait Donors

The silent partner

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Uncommon Australians

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Rick Amor: 21 Portraits

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

Faces of war

Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.